Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
May 12, 2016 | Christie's | New York | Impressionist & Modern Evening Sale | 16C | $****** - ****** | Au Petit-Gennevilliers |
paintings
54.6 x 73.3 cm (21.5 x 28.86 in)
oil on canvas
signed ‘Claude Monet’ (lower right)
Victor Chocquet, Paris. Marie Chocquet, Paris (by descent from the above)
Estate sale, Galerie Georges Petit, Paris, 1-4 July 1899, lot 77. Dumas d’Hauterive, France (acquired at the above sale). Lorenzo Crist Delmonico, New York (until 1901). Boussod, Valadon et Cie., Paris (acquired from the above, 3 April 1901). Henry Osborne Havemeyer, New York (acquired from the above, 19 April 1901). Louisine Waldron Elder Havemeyer, New York (by descent from the above, 1907). Adaline Havemeyer Frelinghuysen, Morristown, New Jersey (by descent from the above, 1929). By descent from the above to the present owner
Palm Beach, The Society of the Four Arts, Claude Monet , January-February 1958, no. 10 (dated 1873 and titled The Barges at Argenteuil ). New York, The Metropolitan Museum of Art, Splendid Legacy: The Havemeyer Collection , March-June 1993, p. 363, no. 396 (illustrated, p. 362). Washington, D.C., The Phillips Collection, Impressionists on the Seine: A Celebration of Renoir's "Luncheon of the Boating Party," September 1996-February 1997, p. 256, no. 24 (illustrated in color)
“Vente Chocquet” in New York Herald: Édition de Paris , 29 June 1899. W. Dewhurst, Impressionist Painting: Its Genesis and Development , London, 1904, p. III (titled La seine à Argenteuil ). T. Duret, Histoire des peintres impressionnistes , Paris, 1906, p. 79 (illustrated). G. Geffroy, Claude Monet: Sa vie, son temps, son oeuvre , Paris, 1922, p. 219 (titled Argenteuil ). H.O. Havemeyer Collection: Catalogue of Paintings, Prints, Sculpture and Objects of Art , Portland, 1931, p. 411 (titled Landscape–Argenteuil and dated 1873). M. Rostand, Quelques amateurs de l’époque impressionniste , Paris, 1955, p. 154. D. Wildenstein, Claude Monet: Biographie at catalogue raisonné , Geneva, 1974, vol. I, p. 258, no. 337 (illustrated). D. Wildenstein, Claude Monet: Catalogue raisonné , Cologne, 1996, vol. II, p. 140, no. 337 (illustrated). P.H. Tucker, The Impressionists at Argenteuil , exh. cat., National Gallery of Art, Washington, D.C., 2000, p. 32, fig. 25 (illustrated; titled Boats Along the Banks of the Seine at Petit Gennevilliers ). A. Distel, "Inventar des Hauses von Victor Choquet an der Rue Monsigny 7, Paris" in Victor Choquet: Freund und Sammler der Impressionisten, Renoir, Cezanne, Monet, Manet , 2015, p. 199, fig. 84 (illustrated)
